Tango is a musical genre and its associated dance forms that originated in Buenos Aires, Argentina and Montevideo, Uruguay, and spread to the rest of the world soon after.
Early tango was known as tango criollo, or simply tango. Today, there are many tango dance styles, including Argentine Tango, Uruguayan Tango, Ballroom tango (American and International styles), Finnish tango and vintage tangos. What many consider to be the authentic tango is that closest to that originally danced in Argentina and Uruguay, though other types of tango have developed into mature dances in their own right.
The Tango consists of a variety of styles that developed in different regions and eras of Argentina as well as in other locations around the world. The dance developed in response to many cultural elements, such as the crowding of the venue and even the fashions in clothing. The styles are mostly danced in either open embrace, where lead and follow have space between their bodies, or close embrace, where the lead and follow connect either chest-to-chest (Argentine tango) or in the upper thigh, hip area (American and International tango).
Different styles of Tango are:
Tango Argentino
Tango Oriental (uruguayo)
Tango Canyengue
Tango Liso
Tango Salon
Tango Orillero
Tango Milonguero (Tango Apilado)
Tango Nuevo (New Tango)
Show Tango (also known as Fantasia)
Ballroom Tango
Finnish Tango
Saturday, September 26, 2009
Monday, September 21, 2009
CHA CHA DANCE
Cha-cha-cha is the name of a Latin American dance of Cuban origin. It is danced to the music of the same name introduced by Cuban composer and violinist Enrique Jorrín in 1953. This rhythm was developed from the danzón by a syncopation of the fourth beat. The name is onomatopoeic, derived from the rhythm of the güiro (scraper) and the shuffling of the dancers' feet.
Originally known as the Cha-Cha-Cha. Became popular about 1954. Cha Cha is an offshoot of the Mambo. In the slow Mambo tempo, there was a distinct sound in the music that people began dancing to, calling the step the "Triple" Mambo. Eventually it evolved into a separate dance, known today as the Cha Cha.
Cha-cha-cha may be either danced to authentic Cuban music, or Latin Pop or Latin Rock. The music for the international ballroom cha-cha-cha is energetic and with a steady beat. The Cuban cha-cha-chá is more sensual and may involve complex polyrhythms.
Styles of cha-cha-cha dance may differ in the place of the chasse in the rhythmical structure. The original Cuban and the ballroom cha-cha-cha count "two-three-chachacha".
Cha-cha-cha is one of the five dances of the "Latin American" program of international ballroom competitions.
In traditional American Rhythm style, Latin hip movement is achieved through the alternate bending and straightening action of the knees, though in modern competitive dancing, the technique is virtually identical to the International Latin style. In the International Latin style, the weighted leg is almost always straight. The free leg will bend, allowing the hips to naturally settle into the direction of the weighted leg. As a step is taken, a free leg will straighten the instant before it receives weight. It should then remain straight until it is completely free of weight again.
Originally known as the Cha-Cha-Cha. Became popular about 1954. Cha Cha is an offshoot of the Mambo. In the slow Mambo tempo, there was a distinct sound in the music that people began dancing to, calling the step the "Triple" Mambo. Eventually it evolved into a separate dance, known today as the Cha Cha.
Cha-cha-cha may be either danced to authentic Cuban music, or Latin Pop or Latin Rock. The music for the international ballroom cha-cha-cha is energetic and with a steady beat. The Cuban cha-cha-chá is more sensual and may involve complex polyrhythms.
Styles of cha-cha-cha dance may differ in the place of the chasse in the rhythmical structure. The original Cuban and the ballroom cha-cha-cha count "two-three-chachacha".
Cha-cha-cha is one of the five dances of the "Latin American" program of international ballroom competitions.
In traditional American Rhythm style, Latin hip movement is achieved through the alternate bending and straightening action of the knees, though in modern competitive dancing, the technique is virtually identical to the International Latin style. In the International Latin style, the weighted leg is almost always straight. The free leg will bend, allowing the hips to naturally settle into the direction of the weighted leg. As a step is taken, a free leg will straighten the instant before it receives weight. It should then remain straight until it is completely free of weight again.
DISCO DANCE
Disco is a genre of dance music that originated in African American, psychedelic, and gay communities in New York City and Philadelphia during the late 1960s and early 1970s. While disco was a form of black commercial pop music and a craze among black gay men especially, it did not catch mainstream attention until it was picked up by the predominantly white gay clubs of New York. Latinos and women embraced disco as well, and the music eventually expanded to several other popular groups of the time.
Most Disco dances have strong roots in Swing, Samba, Cha Cha, Mambo, Merengue, Fox Trot and Tango. The Hustle is believed to have originated in New York in 1970. It went through many variations in the seventies, with line dances for groups of people, solo movements that came and went, and partnership dances. These partnership dances included The Basic Hustle, Latin, Spanish and Tango Hustle, and the most popular Street, Three-Count or Swing Hustle that originated in California as the street Hustle by skaters in Venice and Malibu. John Travolta and "Saturday Night Fever" made dancing the "in" thing for many people, especially men.
Hustle is danced to the contemporary pop dance music of the last 20 years. It is a fast, smooth dance, with the lady spinning almost constantly, while her partner draws her close and sends her away.
None-the-less, disco as a music, a dance or a club had not died out completely, and probably never will, it has just transformed with the times. It fits any society's pocketbook and a society's want for the many varied artist's songs which are made available by the DJ's, unlike the bands who usually don't know any other style of music except what they play as well as charging extremely high fees to play a nightclub are easily replaced by a DJ. The dances, mainly the couples dance today known as the Hustle, is still being danced by a handfull of people, mainly in New York, San Francisco, Seattle, Philly and Los Angeles. The main disco dance styles today are the faster and more energetic L.A. Hustle, the simpler Street or Sling Hustle, and the slower, smoother New York Hustle.
Most Disco dances have strong roots in Swing, Samba, Cha Cha, Mambo, Merengue, Fox Trot and Tango. The Hustle is believed to have originated in New York in 1970. It went through many variations in the seventies, with line dances for groups of people, solo movements that came and went, and partnership dances. These partnership dances included The Basic Hustle, Latin, Spanish and Tango Hustle, and the most popular Street, Three-Count or Swing Hustle that originated in California as the street Hustle by skaters in Venice and Malibu. John Travolta and "Saturday Night Fever" made dancing the "in" thing for many people, especially men.
Hustle is danced to the contemporary pop dance music of the last 20 years. It is a fast, smooth dance, with the lady spinning almost constantly, while her partner draws her close and sends her away.
None-the-less, disco as a music, a dance or a club had not died out completely, and probably never will, it has just transformed with the times. It fits any society's pocketbook and a society's want for the many varied artist's songs which are made available by the DJ's, unlike the bands who usually don't know any other style of music except what they play as well as charging extremely high fees to play a nightclub are easily replaced by a DJ. The dances, mainly the couples dance today known as the Hustle, is still being danced by a handfull of people, mainly in New York, San Francisco, Seattle, Philly and Los Angeles. The main disco dance styles today are the faster and more energetic L.A. Hustle, the simpler Street or Sling Hustle, and the slower, smoother New York Hustle.
BALLET DANCE
Ballet is a formalized type of performance dance, which originated in sixteenth- and seventeenth-century French courts, and which was further developed in England, Italy, and Russia as a concert dance form.
Ballet dance works (ballets) are choreographed and performed by ballerinos and ballerinas, include mime and acting, and are set to music (usually orchestral but occasionally vocal). It is a poised style of dance that incorporates the foundational techniques for many other dance styles.
Classical ballet is the most formal of the ballet styles; it adheres to traditional ballet technique. There are variations relating to area of origin, such as Russian ballet, French ballet, and Italian ballet. Although most ballet of the last two centuries is ultimately founded on the teachings of Blasis. The most well-known styles of ballet are the Russian Method, the Italian Method, the Danish Method, the Balanchine Method or New York City Ballet Method, and the Royal Academy of Dance and Royal Ballet School methods, created in England. The first pointe shoes were actually regular ballet slippers that were heavily darned at the tip. It would allow the girl to briefly stand on her toes to appear weightless. It was later converted to the hard box that is used today.
Neoclassical is a ballet style that uses traditional ballet vocabulary but is less rigid than the classical ballet. For example, dancers often dance at more extreme tempos and perform more technical feats. Spacing in neoclassical ballet is usually more modern or complex than in classical ballet. Although organization in neoclassical ballet is more varied, the focus on structure is a defining characteristic of neoclassical ballet.
Contemporary ballet is a form of dance influenced by both classical ballet and modern dance. It takes its technique and use of pointe work from classical ballet, although it permits a greater range of movement that may not adhere to the strict body lines set forth by schools of ballet technique. Many of its concepts come from the ideas and innovations of 20th century modern dance, including floor work and turn-in of the legs.
Ballet dance works (ballets) are choreographed and performed by ballerinos and ballerinas, include mime and acting, and are set to music (usually orchestral but occasionally vocal). It is a poised style of dance that incorporates the foundational techniques for many other dance styles.
Classical ballet is the most formal of the ballet styles; it adheres to traditional ballet technique. There are variations relating to area of origin, such as Russian ballet, French ballet, and Italian ballet. Although most ballet of the last two centuries is ultimately founded on the teachings of Blasis. The most well-known styles of ballet are the Russian Method, the Italian Method, the Danish Method, the Balanchine Method or New York City Ballet Method, and the Royal Academy of Dance and Royal Ballet School methods, created in England. The first pointe shoes were actually regular ballet slippers that were heavily darned at the tip. It would allow the girl to briefly stand on her toes to appear weightless. It was later converted to the hard box that is used today.
Neoclassical is a ballet style that uses traditional ballet vocabulary but is less rigid than the classical ballet. For example, dancers often dance at more extreme tempos and perform more technical feats. Spacing in neoclassical ballet is usually more modern or complex than in classical ballet. Although organization in neoclassical ballet is more varied, the focus on structure is a defining characteristic of neoclassical ballet.
Contemporary ballet is a form of dance influenced by both classical ballet and modern dance. It takes its technique and use of pointe work from classical ballet, although it permits a greater range of movement that may not adhere to the strict body lines set forth by schools of ballet technique. Many of its concepts come from the ideas and innovations of 20th century modern dance, including floor work and turn-in of the legs.
CONTEMPORARY DANCE
Contemporary dance is a genre of concert dance that employs systems and methods found in modern dance and postmodern dance. Contemporary dance draws on modern dance techniques as well as newer philosophies of movement that depart from classical dance techniques by altogether omitting structured form and movement.
Pioneers of contemporary dance include Isadora Duncan, Ruth St. Denis, Doris Humphrey, Mary Wigman, Francois Delsarte, Emilie Jaques-Dalcroze, Merce Cunningham, Martha Graham, Rudolph von Laban, Loie Fuller, Jose Limon and Marie Rambert.
Dance techniques and movement philosophies employed in contemporary dance include:
Alexander Technique[citation needed]
Bartenieff Fundamentals
Contact Improvisation
Dance Improvisation
Feldenkrais method[citation needed]
Hawkins technique
Horton Technique
Humphrey-Weidman technique
Graham technique
Cunningham Technique
Gyrotonic and Gyrokinesis
Kinesiology
Pilates
Release Technique
Yoga
Pioneers of contemporary dance include Isadora Duncan, Ruth St. Denis, Doris Humphrey, Mary Wigman, Francois Delsarte, Emilie Jaques-Dalcroze, Merce Cunningham, Martha Graham, Rudolph von Laban, Loie Fuller, Jose Limon and Marie Rambert.
Dance techniques and movement philosophies employed in contemporary dance include:
Alexander Technique[citation needed]
Bartenieff Fundamentals
Contact Improvisation
Dance Improvisation
Feldenkrais method[citation needed]
Hawkins technique
Horton Technique
Humphrey-Weidman technique
Graham technique
Cunningham Technique
Gyrotonic and Gyrokinesis
Kinesiology
Pilates
Release Technique
Yoga
Sunday, September 20, 2009
WALTZ DANCE
The waltz is a ballroom and folk dance in time, performed primarily in closed position.
There are several references to a sliding or gliding dance,- a waltz.
In the 19th and early 20th century, numerous different waltz forms existed, including versions performed in 2/4 or 6/8 (sauteuse), and 5/4 time (5/4 waltz, half and half)
"Hesitation Waltz" was introduced by Vernon and Irene Castle.[12] It incorporated Hesitations and was danced to fast music. A Hesitation is basically a halt on the standing foot during the full waltz measure, with the moving foot suspended in the air or slowly dragged. Similar figures (Hesitation Change, Drag Hesitation, and Cross Hesitation) are incorporated in the International Standard Waltz syllabus.
The Country Western Waltz is 99% progressive, moving counter clock wise around the dance floor. Both the posture and frame are relaxed, with posture bordering on a slouch. The exaggerated hand and arm gestures of some ballroom styles are not part of this style. Couples may frequently dance in the Promenade position, depending on local preferences. Within country western waltz there are the Spanish Waltz and the more modern (for the late 1930s- early 1950s) Pursuit Waltz. At one time it was considered ill treatment for a man to make the woman walk backwards in some locations.
Spanish Waltz was a combination of dancing around the room in closed position, and a "formation" dance of two couples facing each other and performing a sequence of steps. "Valse a Trois Temps" was the "earliest" waltz step, and the Rye Waltz was favored as a couple dance.
There are several references to a sliding or gliding dance,- a waltz.
In the 19th and early 20th century, numerous different waltz forms existed, including versions performed in 2/4 or 6/8 (sauteuse), and 5/4 time (5/4 waltz, half and half)
"Hesitation Waltz" was introduced by Vernon and Irene Castle.[12] It incorporated Hesitations and was danced to fast music. A Hesitation is basically a halt on the standing foot during the full waltz measure, with the moving foot suspended in the air or slowly dragged. Similar figures (Hesitation Change, Drag Hesitation, and Cross Hesitation) are incorporated in the International Standard Waltz syllabus.
The Country Western Waltz is 99% progressive, moving counter clock wise around the dance floor. Both the posture and frame are relaxed, with posture bordering on a slouch. The exaggerated hand and arm gestures of some ballroom styles are not part of this style. Couples may frequently dance in the Promenade position, depending on local preferences. Within country western waltz there are the Spanish Waltz and the more modern (for the late 1930s- early 1950s) Pursuit Waltz. At one time it was considered ill treatment for a man to make the woman walk backwards in some locations.
Spanish Waltz was a combination of dancing around the room in closed position, and a "formation" dance of two couples facing each other and performing a sequence of steps. "Valse a Trois Temps" was the "earliest" waltz step, and the Rye Waltz was favored as a couple dance.
BALL-ROOM DANCE
Ballroom dance refers to a set of partner dances, which are enjoyed both socially and competitively around the globe. Its performance and entertainment aspects are also widely enjoyed on stage, in film, and on television.
In competition ballroom dancers are judged by diverse criteria such as poise, the hold or frame, posture, musicality and expression, timing, body alignment and shape, floor craft, foot and leg action, and presentation.
The definition of ballroom dance also depends on the era. Balls have featured Minuet, Quadrille, Polonaise, Pas de Gras, Mazurka, and other popular dances of the day, which are considered to be historical dances. Today, the term applies to any one of the several dances in which two individuals, a "leader" and a "follower," dance with physical contact through their upper or lower bodies, or simply their arms depending on the particular variety of dance.
The dance technique used for both International and American styles is similar, but International Standard allows only closed dance positions, whereas American Smooth allows closed, open and separated dance movements. In addition, different sets of dance patterns are usually taught for the two styles. International Latin and American Rhythm have different styling, and have different dance patterns in their respective syllabi.
Others dances sometimes placed under the umbrella "ballroom dance" include Nightclub Dances such as Lindy Hop, West Coast Swing, Nightclub Two Step, Hustle, Salsa, and Merengue. The categorization of dances as "ballroom dances" has always been fluid, with new dances or folk dances being added to/removed from to the ballroom repertoire from time to time, so no list of subcategories or dances is any more than a description of current practices. There are other dances historically accepted as ballroom dances, and are revived via the Vintage dance movement.
In competition ballroom dancers are judged by diverse criteria such as poise, the hold or frame, posture, musicality and expression, timing, body alignment and shape, floor craft, foot and leg action, and presentation.
The definition of ballroom dance also depends on the era. Balls have featured Minuet, Quadrille, Polonaise, Pas de Gras, Mazurka, and other popular dances of the day, which are considered to be historical dances. Today, the term applies to any one of the several dances in which two individuals, a "leader" and a "follower," dance with physical contact through their upper or lower bodies, or simply their arms depending on the particular variety of dance.
The dance technique used for both International and American styles is similar, but International Standard allows only closed dance positions, whereas American Smooth allows closed, open and separated dance movements. In addition, different sets of dance patterns are usually taught for the two styles. International Latin and American Rhythm have different styling, and have different dance patterns in their respective syllabi.
Others dances sometimes placed under the umbrella "ballroom dance" include Nightclub Dances such as Lindy Hop, West Coast Swing, Nightclub Two Step, Hustle, Salsa, and Merengue. The categorization of dances as "ballroom dances" has always been fluid, with new dances or folk dances being added to/removed from to the ballroom repertoire from time to time, so no list of subcategories or dances is any more than a description of current practices. There are other dances historically accepted as ballroom dances, and are revived via the Vintage dance movement.
TAP DANCE
Tap dance is a form of dance characterized by a tapping sound that is created from metal plates that are attached to both the ball and heel of the dancer's shoe. These metal plates, when tapped against a hard surface, create a percussive sound and as such the dancers are considerd to be, somewhat, musicians.
The influences of tap dancing may include:
Clogging, where there may be no accompanying music, just the noise of the shoes
Step dancing in general.
Stomp dancing, where the sound of other objects are used to enhance the stomping sound of the foot
Masters would often challenge each other to be the best dancer and win students
Juba Dance a very quick and competitive dance involving intricate foot work, hand clapping and patting the bum
There seems to be no historical evidence of percussive (heel toe) dance footwear in this culture
predating tap.
Tap dancers make frequent use of syncopation. Choreography typically starts on the eighth or first beatcount. Another aspect of tap dancing is improvisation. This can either be done with music and follow the beats provided or without musical accompaniment, otherwise known as a cappella dancing.
Common tap steps include the shuffle, shuffle ball change, flap, flap heel, cramproll, buffalo, Maxi Ford, single and double pullbacks, wings, Cincinnati, the shim sham shimmy (also called the Lindy), Irish, Waltz Clog, the paddle and roll, stomp, brushes, scuffs, and single and double toe punches, hot steps, heel clicks, single, double and triple time steps, riffs, over-the-tops, military time step, new yorkers, and chugs. In advanced tap dancing, basic steps are often combined together to create new steps.
The influences of tap dancing may include:
Clogging, where there may be no accompanying music, just the noise of the shoes
Step dancing in general.
Stomp dancing, where the sound of other objects are used to enhance the stomping sound of the foot
Masters would often challenge each other to be the best dancer and win students
Juba Dance a very quick and competitive dance involving intricate foot work, hand clapping and patting the bum
There seems to be no historical evidence of percussive (heel toe) dance footwear in this culture
predating tap.
Tap dancers make frequent use of syncopation. Choreography typically starts on the eighth or first beatcount. Another aspect of tap dancing is improvisation. This can either be done with music and follow the beats provided or without musical accompaniment, otherwise known as a cappella dancing.
Common tap steps include the shuffle, shuffle ball change, flap, flap heel, cramproll, buffalo, Maxi Ford, single and double pullbacks, wings, Cincinnati, the shim sham shimmy (also called the Lindy), Irish, Waltz Clog, the paddle and roll, stomp, brushes, scuffs, and single and double toe punches, hot steps, heel clicks, single, double and triple time steps, riffs, over-the-tops, military time step, new yorkers, and chugs. In advanced tap dancing, basic steps are often combined together to create new steps.
Thursday, September 17, 2009
HIP HOP
Hip-Hop dance refers to social or choreographed dance styles primarily danced to hip-hop music or that have evolved as part of hip-hop culture.
Hip-Hop dance has over 30 years of history with the first professional breaking, locking, and popping crews forming in the 1970s.
Main hip-hop dance styles: breaking, locking, and popping. Theses styles are the oldest and most established of all the hip-hop dances.
Locking, originally called Campbellocking, was created in Los Angeles by Don Campbell and introduced to the country by his crew The Lockers. Modern locking looks similar to popping and thus gets confused with popping all the time. In locking a dancer holds their positions longer. The lock is the primary move used in locking. It is similar to a freeze or a sudden pause. A locker's dancing is characterized by consistently locking in place and after a quick pause moving again. It is incorrect to call locking pop-locking.
Popping was created by Sam Solomon in Fresno, California and performed by his crew the Electric Boogaloos. It is is based on the technique of quickly contracting and relaxing muscles to cause a jerk in the dancer's body, referred to as a pop or a hit. Each hit should be synchronized to the rhythm and beats of the music.
Hip-Hop dance has over 30 years of history with the first professional breaking, locking, and popping crews forming in the 1970s.
Main hip-hop dance styles: breaking, locking, and popping. Theses styles are the oldest and most established of all the hip-hop dances.
Locking, originally called Campbellocking, was created in Los Angeles by Don Campbell and introduced to the country by his crew The Lockers. Modern locking looks similar to popping and thus gets confused with popping all the time. In locking a dancer holds their positions longer. The lock is the primary move used in locking. It is similar to a freeze or a sudden pause. A locker's dancing is characterized by consistently locking in place and after a quick pause moving again. It is incorrect to call locking pop-locking.
Popping was created by Sam Solomon in Fresno, California and performed by his crew the Electric Boogaloos. It is is based on the technique of quickly contracting and relaxing muscles to cause a jerk in the dancer's body, referred to as a pop or a hit. Each hit should be synchronized to the rhythm and beats of the music.
SALSA
Salsa is a dance for Salsa music created by Spanish-speaking people from the Caribbean. Salsa dancing mixes African and European dance influences through the music and dance fusions that are the roots of Salsa.
Salsa is normally a partner dance, although there are recognized solo forms, line dancing (suelta), andRueda de Casino where groups of couples exchange partners in a circle. Salsa can be improvised or performed with a set routine.
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